Life on Mars revolves around a simple central question: 21st Century detective Sam Tyler wakes up in 1973. Is it in a coma and imagining everything that happens to him? Has he actually travelled back in time? Or is he insane? The answer to this question will be resolved at the end of this series, though it wouldn't surprise me if the writers came up with a fourth solution to their enigma.
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Meanwhile Life on Mars co-creators Matthew Graham and Ashley Pharoah have set up their own independent production, Monastic. It's first two projects are also announced on the Broadcast website today. Bonekickers for BBC1 is 'an adventurous and exciting drama about the world of archaeology' - I'm guessing more like Indiana Jones and Lara Croft than the crusty characters seen on Time Team - while Eternal Law is a legal drama for ITV1. Neither has been formally commissioned yet.
Another indie has a hand in at least one of these. Mammoth Screen was set up by Damien Timmer, former head of drama at ITV Productions. He expected to be joined soon by the departing drama controller at ITV Productions, Michele Buck. Both of them have been involved with previous shows by Pharoah and Graham. [Timmer and Buck are also executive producers on the first series of Inspector Morse spin-off Lewis, currently showing Sunday nights on ITV.] It'll be interesting to see what else Mammoth Screen has up its sleeve...
2 comments:
I'm pretty sure that there'll be a post-climactic scene in the last episode of LIFE ON MARS that'll involve Sam, out of his coma, looking up Gene, Annie, etc in 2007.
A bit Wizard of Oz then? Yeah, maybe.
I was just going to remark on the last episode which I thought was particularly well written.
The climactic scene, where Gene destroys his mentor just at the moment that Sam's future father-figure reveals his true character (all amist some throwaway lines about Freud), is the kind of stuff I thought we'd forgotten we could do.
Rollicking stuff.
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